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Book of the Dead Spell 161 as Tomb Decoration

Date

Nov 18, 2025 6:00 PM - 7:30 PM

Location

Smith library

Sponsor

Admission

Open to the public
RSVP required

FREE | General admission

A painting of a man holding a hammer.

About the Event

The American Research Center in Egypt – ARCE/NY – presents Egyptologist Heather McCarthy at Salmagundi Club for an in-depth exploration of the intericonic translation between portable objects and funerary monuments in Ancient Egypt. Drawing on Spell 161 from the legendary Ancient Egyptian Book of the Dead, McCarthy will reveal insights into ancient Egyptian conceptions of the afterlife.

Hungry?

Ticketed attendees who would like to stay for drinks and dinner should make dining reservations in advance via our Reservations page with the message “ARCE dinner”.

Ancient Egyptian wall painting showing a seated deity with an ankh and a standing figure in a dress, surrounded by hieroglyphic inscriptions.

About the Speaker

Dr. Heather L. McCarthy is an Egyptologist and art historian who received her 2011 PhD from the Institute of Fine Arts, New York University. She is the deputy director of the New York University Expedition to the Ramesses II Temple at Abydos, where, as an epigrapher, she documented the temple’s decorative program for its re-publication. She has also worked at the Metropolitan Museum of Art, the Brooklyn Museum of Art, and for the Getty Conservation Institute’s Valley of the Queens Field Project.

She has written about Ramesside queens’ tombs, the Valley of the Kings, the female pharaoh Tawosret, the impact of gender on ancient Egyptian afterlife beliefs, Ramesside battle scenes, and Egyptian temple cosmology.

Her current research project elucidates the impact early 19th Dynasty queens’ tomb programs made upon the iconographic tradition and tombs of the contemporary, neighboring Deir el-Medina villagers, who were responsible for cutting and decorating the royal women’s tombs.

Ancient Egyptian wall painting of a seated ibis-headed figure, likely Thoth, surrounded by hieroglyphic inscriptions in black, yellow, and white.
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