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Getting personal at the movies

Date

Nov 13, 2026 6:30 PM - 9:00 PM

Location

Rockwell gallery

Admission

Open to the public
RSVP required

$10 | General admission
$25 | Includes a copy of the new issue of Salmagundi Magazine

About the Event

SALMAGUNDI is an international quarterly magazine of politics and the arts, described some years ago by Susan Sontag as “my favorite little magazine.” To celebrate its 61st year of publication SALMAGUNDI is bringing out a fall 2026, 350-page special issue on “Getting Personal at the Movies.” The new issue features deeply personal, memoiristic essays, each inspired by a film and written by many of the country’s leading writers: from Marilynne Robinson to Phillip Lopate.

To launch its special movie issue, the magazine is staging a public event at The Salmagundi Club. A panel of distinguished speakers will “get personal,” talking about their favorite films, about themselves, and also responding to audience questions.

Three people sit closely together in theater seats, looking serious. The magazine cover features articles and essays about movies and personal experiences with film.

Speakers

Black-and-white scene of elegantly dressed guests at a formal party, with a man and woman standing by a table of food and drinks in a lavishly decorated room.
Philip Lopate on "The Earrings of Madame De"
Phillip Lopate

The leading proponent of the personal essay and a major American film critic, author of many books include “Portrait of My Body,” “Against Joie De Vivre,” Totally, Tenderly, Ttagically” & “My Affair With Art-House Cinema.”

A woman in a feathered hat and sequined dress stands beside a man in a top hat and tuxedo; both appear to be in a theatrical or cabaret setting.
Ian Buruma on "The Blue Angel"
Ian Buruma

Former Editor of NY Review of Books, New Yorker writer, author of many books including Murder In Amsterdam, Year Zero, The Wages of Guilt, Their Promised Land & others.

A man in a pinstripe suit and hat with a bandaged nose faces a woman in a hat and pearls on a city street with vintage cars.
Elizabeth Benedict on "Chinatown"
Elizabeth Benedict

National Book Award finalist in fiction, author of Writing Sex, Slow Dancing, Safe Conduct, Practice of Deceit, Rewriting Illness, Almost, others.

Pamela Katz

Pamela Katz is a screenwriter and author best known for her films for the German director, Margarethe von Trotta, HANNAH ARENDT, ROSENSTRASSE, and THE OTHER WOMAN; and her book, The Partnership: Brecht, Weill, Three Women and German on the Brink. Her new book, An Unlikely Assassin: Monika Ertl, the Nazi’s Daughter Who Fought for Che Guevara comes out in the fall of 2027. She teaches screenwriting at NYU’s Tisch Graduate School of Film.

A man in a hat stands beside a wooden ladder outdoors, looking up at a woman who is wearing a dress and heels and is climbing the ladder. Mountains and water are in the background.
Robert Boyers on "Claire's Knee"
Robert Boyers

Founder/ Editor of Salmagundi Magazine, author of a dozen books including The Tyranny of Virtue, The Fate of Ideas, Maestros & Monsters (Days & Nights with Susan Sontag & George Steiner), Excitable Women & Damaged Men.

A person with wet, short hair blows a bubble with chewing gum against a blurred background in black and white.
Ruth Franklin on "Red"
Ruth Franklin

Ruth Franklin won the National Book Critics Circle Award in 2017 for her biography, “Shirley
Jackson: A Rather Haunted Life,” which also won the Phi Beta Kappa Society Book Award and
the Plutarch Award. Formerly an editor at THE NEW REPUBLIC Magazine, she was for some
years the regular film critic for the quarterly SALMAGUNDI. Other books by Ruth Franklin
include “A Thousand Darknesses” and “The Many Lives of Anne Frank.”

Brief Excerpts

“I went so far as to provide my therapist with a list of aspects of the film that I suspected might correspond to unresolved psychological issues, some from my childhood.”

— Howard Norman

“What Susan Sontag long ago referred to as the ‘Jewish moral earnestness’ which is a vital, not always welcome aspect of my very being, is barely in play as I watch ‘Claire’s Knee’ and think about why it has always made me happy.”

— Robert Boyers

“What can you say about a movie whose opening shot is a photo of two mostly dressed people fucking in the woods, and the man, on top, still has his hat on?”

— Elizabeth Benedict

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